A DCP (Digital Cinema Package) is an economical alternative to 35mm exhibition copies. Today it is considered as one of the standards for professional film exhibition in commercial theaters. If you take one of our DCP to a digital cinema anywhere in the world, this will be projected without any problem if the screening room meets the DCI Interop and SMPTE standards. The source file will be delivered to us via the Internet (ftp or other digital media), the DCP will then be created and later transferred by ftp or the alternative chosen by the producer.
We always check DCP at our cinema treatre and create it in 2 possible formats - 1.85 (FLAT/masked) 1998×1080 and 2.39 (SCOPE/widescreen) 2048×858.
Recommended video settings:
Variant 1:
codec - ProRes
container - MOV
bitrate - from 50 m/bit, if You are planning to make an additional DCP-copy (for 4K - 150 m/bit)
Variant 2:
codec - h.264 or h.265
container - MP4
bitrate - from 50 m/bit, if You are planning to make an additional DCP-copy (for 4K 200 m/bit)
How can You deliver us the material?
Upload of the master copy and download of the finished version occurs via FTP or file sharing services working with large volumes of files: dropmefiles.com, files.mail.ru, disc.yandex.ru, drive.google.com, dropbox.com.
The cost of subtitling is the lowest on the market and stipulates separately for each project; we provide discounts on "packet" orders from movie studios, TV channels, cinemas, and festivals.
